During the Covid-19 pandemic, young filmmakers from a São Paulo favela make a film to apply for a grant offered by an institution that uses them as mere pawns. An opportunity for a critical exercise and a demonstration of lucidity. [FR] Durant la pandémie de Covid-19, de jeunes cinéastes d’une favela de São Paulo réalisent un film pour candidater à une bourse proposée par une institution qui les utilise comme faire-valoir. L’occasion d’un exercice critique et d’une démonstration de lucidité.

Miren goes to the police station with her lawyer and denounces her husband for continuous rape during a marriage, perfect for everyone who knows them, which has lasted more than 30 years. Her husband claims not to have done anything wrong and feels a victim, outraged and wronged. Their eldest son decides to support his father because he himself is afraid of having crossed that line. Their youngest son decides to support his mother because he has also felt that invisible violence.

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在一个未明确的未来，消费社会时代已然结束。街道上不见汽车的踪影，也没有马匹驰骋。自行车成了最受欢迎的出行方式。有七位英雄必须穿越魔法山谷，去寻找神圣酒吧。在那里，等待着他们的是幸福、财富、荣耀以及美女的爱慕。然而，这些人都没有意识到一件事：要进入神圣酒吧，必须先……

Zu, a twelve-year-old boy on the way to buy flour for his mother, winds up in the clutches of armed paramilitary narcotics officers.